The Future

 

 

 

Suspense festival presents the best in new puppetry, physical theatre & narrative performance, from over 25 companies, for adult audiences.

 

Movingstage are currently developing a drama entitled End Games for Suspense. After a short run in the summe rwe will open in Little Venice, London on October 31st. See below for dates and times. when the Puppet Barge will be there for the London season

Using puppetry, poetry and music, End Games is a marionette production based on the subtle and delicate verse of Finuala Dowling. The result of careful craftsmanship, Dowling’s poems are an exploration of the ageing process, and provide  a framework for this unusual theatrical production. The audience is invited into the lives of a group of diverse characters who share their experiences together, with humour and warmth.

 

End Games aims to explore the disconnection between mind and body through the unique medium of puppetry. The poems are interspersed with scenes based on real-life dialogue and interviews with a range of adults who have experienced memory loss. By way of contrast, these dramatic and poetic interludes alternate with more abstract scenes and the whole work is beautifully underlaid by a soundtrack which fragments as the piece progresses.

 

This production offers an imaginative and creative insight into the mind through the power of puppetry and the suspension of disbelief – End Games will push the boundaries of human theatre to provide a new and distinctive perspective on life.  

 

                                                                                                                                Grandma dreaming        

 

End Games will open at the festival on the

31st October 2015

 

31st October –     19.30

1st   November – 15.00

3rd   November – 19.30

4th   November – 19.30

5th   November – 19.30

6th   November – 19.30

7th   November – 19.30

8th   November – 15.00

 

To book for this show click
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COMPANY INFORMATION

History

Movingstage was established in 1979 with the aim of producing marionette theatre. This type of theatre requires all elements to be in accord, including the venue. In 1982, after extensive touring, the company opened a theatre on a river barge. The theatre seats 55 and has all the conveniences and facilities of a modern venue. It is licensed by the City of Westminster.

The Theatre Barge has been open for over thirty years and during that time it has hosted thousands of performances. It is now an established venue on the London theatre scene and is based in Little Venice, close to Marble Arch. Each year during the summer, the floating theatre makes a tour of the river Thames. The company has undertaken three British Council sponsored tours in the past. It has also received funding from The Arts Council, Richmond Council, Westminster Arts, Westminster City Council, the Lottery and various charitable trusts including the Gulbenkian Foundation, The Edward Harvist Trust and the Unity Theatre Trust.

Present

The company aims to present innovative quality theatre with a view to raising the status and profile of the marionette. It therefore continues to commission new scripts and musical scores, whenever possible, from contemporary writers and composers. The company has an active educational policy and runs a programme of work in schools, reaching large numbers of children every year.

Future

Movingstage is working to generate a wider recognition of quality live animation as a means of dramatic expression and as an accepted art form in the UK and Europe.

Key personnel

Juliet Rogers trained and worked with John Wright MBE at the Little Angel Marionette Theatre before starting up Movingstage in 1978. She has operated puppets on many television shows and has toured in Europe, the Middle East and Asia.

Gren Middleton trained as a lighting cameraman and photographed some 14 feature films, as well as numerous documentary films and TV dramas before starting up Movingstage with Juliet. Movingstage is now a family run business comprising three generations. A number of people are associated with the company, many of whom have worked with the group from its inception to the present day. These include specialist designers, composers and actors who are employed for different projects. Freelance puppeteers and artists take parts in all the Movingstage productions and presentations.

Policy

To promote live animation
To give the audience an experience of the imagination
To present new music and writing where and whenever possible
To ensure excellence in voice and music recordings
To be aware of: The equal importance of every element within a presentation
The scale and perspective of light
The centre of gravity of the marionette
Silence and space

Live animation

Live animation is a fine art with a history alongside classical sculpture and drama. The medium has the depth required to crystallize and distil text from such diverse writers as Shakespeare and Becket, as well as being able to present magic and fantasy. It is a form capable of diverse theatrical illusion and effect. The work produced is not ephemeral but long lasting; in this respect marionette theatre is crucially different from other live performance arts, all of which are essentially ephemeral.

Reviews

"... So imaginative and well judged it grips the spectator throughout."
DAILY TELEGRAPH

"...the puppets have a delicate charm and an inner silence."
THE TIMES

"...the skilful puppeteers breathe life into each animated gesture."
TIME OUT

"...One of London's more elusive treasures."
THE INDEPENDENT

"...The Movingstage Marionette Company has broken into a strange new world."
DAILY TELEGRAPH

"...carved and manipulated with simplicity and strength... sensitive staging, memorable lighting and visual effects."
ANIMATIONS

"...true theatrical magic."
THE YORKSHIRE POST

"...the scale of puppetry forces you to surrender your imagination in a way that flesh and blood actors never could."
THE GUARDIAN         

     

            

 

 

       

       

 

    

    

                    Even so I am surprised:

                   '...modernistic,' she says eventually

                    and closes her eyes,

                    exhausted by the last stand,

                    the self-portrait.

 

 

 

 


 

 

 

 

 

 

             

                                                                                                Father Thames

                                                                                        

            

                                                                                       The Barge at Richmond