Patron - Michael Palin

 

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       The Puppet Theatre Barge

  Little Venice,

Central London

How to find us

 

Last performance

of a sell-out run

Sunday October 26th 2014

Sir Gawain

and the Green Knight

 

Scroll down for dates and booking.

Book now to avoid disappointment.

 

Sir Gawain and the Green Knight is a sophisticated 

   romantic saga for adults and young people.

   This 14th century masterpiece is presented

   on the marionette stage with music and poetry,    

   capturing the mystery and adventure of Arthurian   

   times. The lighting, effects and carved figures, for   

   which this company has become known, complement

   the writing which is imbued with the heroic   

   atmosphere of a saga and the spirit of French  

   romance. The impact made on the audience is both  

   magical and human, full of drama and descriptive   

   beauty. The play is as relevant today as the day

   when the poem was first written.

 

        Sunday October 26 at 3pm

 

   Click to book for

   Sir Gawain and the Green Knight

   Box Office 020 7249 6876


              For the half-term holidays

                 Movingstage present

            The Town Mouse

       and the Country Mouse

        Opens November 1st

   

   For more information

   Please click:

     NEXT SHOW 


   For the Christmas season

   Scrooge will be back with

   A Christmas Carol

   by

   Charles Dickens

   Click

   To Book

 

   For more information

   click

   Xmas show


      Administration:

   Movingstage Marionette company

   78 Middleton Road, London E8 4BP

 

     Telephone +44 (0) 20 7249 6876

     Email: puppet@movingstage.co.uk

   

    Master, Visa, Amex accepted

    Children £8.50, Seniors £10, Adults £12

  

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                                                                                               The Barge at Little Venice

      

   

 

                                                                                           Sir Gawain and cast

 

 

  

                 

                                 The Story Teller                                  Sir Gawain reaches his destination

 

Review

 

'Sir Gawain and the Green Knight' – Puppet Theatre Barge

19. September 2014 - Alexander Winfield

The German film director Werner Herzog once spoke of “the voodoo of location”; the power a work of art may derive from where it is produced or where it is seen.

If this is the case then The Puppet Barge, home to the Movingstage company, has some heady voodoo indeed. One approaches hearing the rustle of water through the reeds,

feeling the chill of the river wind. The sun sets behind the red, rusty barge, moored ever so slightly before a tall and mournful weeping willow.

Whether in Little Venice or Richmond, the Puppet Barge is a perfect place to view 'Sir Gawain and The Green Knight', a story that survives from Britain's mist-shrouded past.

It is a very old, classic story: during the reign of King Arthur, a great New Year celebration is held at Camelot. The festivities are interrupted when a gigantic warrior stride

s into the hall, his beard and armour tinted green. Proclaiming that he has been impressed by the stories told of the courage of Arthur and his knights, the bizarre stranger

offers a terrible challenge: he will offer his own head to be hewn off by any knight present, as long as that knight swears to appear at the green being’s court one year

in the future, to offer his own neck to the axe.

Sir Gawain, youngest of the knights, proclaims himself the fittest for the trial as he is the least experienced and thus the most expendable. Unfortunately for Gawain,

the Green Knight seems barely fazed by the removal of his head and the gory, now disembodied face reminds the young man of his dreadful promise. Sir Gawain’s journey

to the court of the Green Knight is presented in an austere, serious manner; while many scenes are in the tone of light comedy or even high adventure, it is the moments

when Gawain is confronted by diabolically difficult moral choices that resonate at the heart of the piece.

The production is a re-staging of one of Movingstage’s older plays. The marionettes have glass eyes and more realistic human characteristics than Movingstage’s later,

more celebrated and expressionist puppet style. Yet the realism of the figures makes the invasion of the fantastical elements all the stranger and more wonderful.

In what is perhaps the play’s highlight, Gawain journeys by horseback across a moonlit plain, only to be beset by bats, tempests and creatures from the darker corners

of British lore. The sets, typically for Movingstage, are wonderfully atmospheric, with Arthur’s court decorated by golden curtains that could have been dreamt by up

by Klimt, and a forest chapel as verdant as it is menacing.

The sometimes slow, deliberate pace means this performance is probably not appropriate for most under 10s – the producers proudly call it a play for adults– and the

Old English verse and vocabulary may test even the most strident language fiends. But it is also a production that rewards, as scenes of subtle beauty and fabulous

strangeness mark it as a fine adaptation of a legendary text.

 

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